Reapers
Black reapers with the sound
of steel on stones
Are sharpening scythes. I
see them place the hones
In their hip-pockets as a
thing that’s done,
And start their silent swinging,
one by one.
Black horses drive a mower
through the weeds,
And there, a field rat, startled,
squealing bleeds,
His belly close to ground.
I see the blade,
Blood-stained, continue cutting
weeds and shade.
Jean Toomer
Reaping the Meaning Behind Jean Toomer’s “Reapers”
Jean
Toomer was a fabulous poet who embraced America’s “clashing cultures” in his
writings (Ramazani 557). Toomer’s expertise did not go unnoticed as he
established himself as a powerful poet, perhaps most prominently with his book Cane, which was published in 1923. As a
biracial man, he could identify and empathize with both African Americans and
Caucasians, heightening his ethos and the impressive strength and meaning
behind his poems. His poem “Reapers,” written in 1923, emphasizes the vast
cultural differences and inequalities between blacks and whites in America
during the time period. He subliminally highlights the poor treatment of blacks
through metaphor, symbolism, and other poetic devices.
The poem “Reapers” is
an octet consisting of four rhyming couplets. The rhyme scheme is aabbccdd, and the poem is written in
iambic pentameter. “Reapers” is only one verse or stanza. Toomer employs many
poetic devices to convey his message to the reader. These poetic devices
include alliteration, consonance, and imagery. Toomer’s diction also adds to the
overall meaning and the impact of the poem on its readers.
The opening line of the poem identifies who the reapers are in just one word: “black.” This sets the whole tone of the rest of the poem and gives the reader a visual of whom the narrator is describing. The narrator does not speak of them as “dark” or “African,” but simply “black.” This is very blunt and straightforward to the point of almost being indifferent. The poem is a report of an experience, not necessarily a description of it. It is unsure of whether or not these reapers are slaves, but they are working in the fields. This could also imply blacks hired for cheap labor after the Civil War. Either way, the tone of the poem is very straightforward, yet descriptive. It is indifferent, as is the blade that maims the field rat.
Toomer uses
alliteration and consonance to heighten the reader’s sense of the poem. In the
first two lines, a hissing “s” sound is repeated to convey the harsh coldness
of the scythes. Toomer writes: “Black reapers with the sound of steel on stones
/ Are sharpening scythes…” (1-2). The resulting sound of the letter s is
similar to the sound of a knife being sharpened against a rock. It is a harsh,
repetitive and unwelcome sound.
In line 4, the
alliteration with the letter s continues with the reapers’ “silent swinging” of
their scythes. More alliteration is used in lines 6 through 8 with the letter b
when the rat is cut by the mower. The rat “bleeds. / Belly close to the ground.
I see the blade, / blood-stained…” The b sound is powerful and strong. The
sharp sound increases the dramatic effect of the tableau the narrator observes.
Toomer’s final use of
alliteration is when the narrator notices that the blade goes on to “continue
cutting” after striking the rat (8). This use of the letter c enforces the
continuation of the mower and blade and how it does not stop when harming the
field rat. It also alludes to the redundancy of the work and spinning rotations
of the blade.
Toomer
uses words with sharply contrasting sounds and syllables to create cacophony in
the last three lines of “Reapers,” most prominently in 6: “And there, a field
rat, startled, squealing bleeds”. The cacophony adds to the effect of the noisy
mower (Billy). The cacophony also creates a sense of chaos, which is something
the rat is most likely experiencing as the blades approach and then slice it
open. It is most likely unaware of what is occurring in the field where it is,
at the moment, residing, and then all of a sudden a loud noise and machine
approach, and in the next instant, the rat has been violently attacked by the
blades.
Toomer’s diction is
very deliberate and effective. The use of the word “reaper” is a double
entendre in that a reaper is both the personification of death and a person who
harvests, according to the Oxford English Dictionary. The reapers in the poem
harvest the field, and the mower inflicts a wound upon the field rat, which is
most likely fatal. The traditional image of a reaper (death personified) is a
figure in a black hooded garment with a scythe. The reapers in the poem are
black and they carry scythes, thus connecting the men in the fields to reapers
of death. The horses are black as well, and they are driving the mower, which
is also a reaper. It too assists in harvesting and it too brings death to the
field rat.
Not only are the men
described as black, but the horses pulling the mower are also described in this
fashion. This same description of each connects the two, making the men appear
to be animalistic, as blacks were frequently viewed during the time period in
which this poem was written. Blacks were seen as inferior to whites, as were
animals, and suffered great prejudices simply because of the color of their
skin. This animalistic view of blacks also connects the reapers to the field
rat, another animal in the poem.
The field rat, which is
harmed and presumably killed with indifference, is representative of blacks
during the 1920s, as they were frequently harmed and lynched by whites. The
field rat in the poem is minding its own business, “His belly close to the
ground,” when he is suddenly struck by the mower. Whites would often lynch
blacks unsuspectingly when they were doing nothing but minding their own
business. The attack on the field rat is similar to the attacks on blacks.
The use of the word
“rat” is very artful and exemplifies exceptional diction. A “field rat” is not
a commonly mentioned animal to begin with. “Field mouse” is used far more
frequently, but Toomer made a deliberate choice to use “rat” instead of “mouse.”
Rats are creatures that are often associated with sewers and filth. Rats have a
very negative connotation, and most people find rats to be grotesque and
disgusting. Mice, on the other hand, have a slightly more positive connotation,
and are sometimes associated to be cute and adorable. If a small, innocent
field mouse is killed by a mower, the mouse will receive sympathy from the
onlooker. However, if a field rat is killed, very little sadness is felt and
there is virtually no sympathy for the rat. Toomer’s diction makes it seem more
acceptable that the rat was killed by the mower. Whites who lynched blacks
would often get away with their heinous crimes without many, if any,
repercussions. Very little or no sympathy was given to blacks, as is reflected
in the harm that befalls the rat.
Only the narrator sees
the rat being slashed open by the mower. The horses do not stop, nor do the
reapers. The blades continue turning and “continue cutting weeds and shade” (8).
The ongoing blades represent life, their circular motion the ever spinning
movement of the earth. The world goes on regardless of who or what dies. Some
see an organism’s death, like the narrator, while others do not. In this
instance, the narrator is playing the role of God, omniscient and all-seeing.
The narrator sees the fields in which the reapers work and the horses drive the
mower and what occurs in the fields.
Though traditionally
“Reapers” has been stated to be about the loss of rural ways, I feel that there
is a much deeper meaning to it. According to Cynthia Bily, “Toomer believed that people who harm or oppress others do so
because they have given up their human qualities and have become like machines”
(Bily). Also, the black horses that drive the mower are most likely owned by
people of a higher class because both horses and mowers cost fair amounts of
money. People who would be in the upper class and have the money to purchase
such animals and machinery tended to be white. The white people’s machinery is
what kills the rat. The mower is representative of whites and the rat is
representative of blacks. Because the mower is what mutilates the rat, it is
not unreasonable to assert the often violent mistreatment of black people by
white people.
The
vivid images Toomer creates are effective in conveying the overall message of
the poem in that they paint clear pictures of what is occurring in the fields.
The reader can instantly imagine the reapers sharpening their knives and the
horses pulling the mower. The images increase the drama of the poem because
it is so easy to see the violent destruction of the rat and the long,
repetitive movements of the reapers. It heightens the effect of the indifferent
tone of the poem because the images evoke a reaction out of the reader that
deeply contrasts the almost apathetic tone of “Reapers”. Though the word “red”
is never mentioned in the poem to describe the color of the blood, it is
instantly imagined when the narrator speaks of the blood-stained blade and the
how the rat “squealing bleeds” (6). The bright red of the blood is very
different from the unforgiving black of the horses and the turn of the
presumably silver blades. The blood brands the indifferent machine and is
evidence of its apathy and unknowing cruelty to the natural world. Regardless
of the blood, the machine continues on, similar to those who lynched blacks in
the 1920s. The blood spilled by lynchers was quickly forgotten and became part
of the past once the deed was done. Lynchers did to blacks what they deemed
fit, and did not care or realize that they were taking lives. The mower, too,
neither cared nor realized it was killing innocent creatures, such as the field
rat. In this way, Toomer compares whites to apathetic machines that have no
consciousness of what they are doing.
“Reapers”
is an extraordinarily well-written poem by Jean Toomer that indicates cultural
issues of the 1920s through various literary devices and exceptional symbolism.
It is almost inconceivable how much meaning is behind this eight-lined iambic
poem. Toomer is a master of his art; his diction and syntax are exceedingly
well-controlled yet expressive and intuitive especially for the short length of
“Reapers”. “Reapers” is a phenomenal poem written by a truly talented man whose
poems have and will continue to transcend time.
Works Cited
Bily, Cynthia A.
“Reapers.” Masterplots II: Poetry,
Revised Edition (2002): 1-2. Literary
Reference
Center. Web. 22 Apr. 2012.
"Jean Toomer." The
Norton Anthology of Modern and Contemporary Poetry. Ed. Jahan
Ramazani. 3rd ed. Vol. 1. New
York: W.W. Norton and, 2003. 557-58. Print.
Toomer, Jean.
"Reapers." The Norton Anthology of Modern and Contemporary
Poetry. Ed.
Jahan
Ramazani. 3rd ed. Vol. 1. New York: W.W. Norton and, 2003. 559. Print.
All rights reserved. All written work on this page is the sole copyright of the author, username Dani, and may not be reprinted or used in any manner whatsoever without written permission from the author. I certify that all work written here is original unless otherwise cited (such as in reference lists, etc.), and is my own. Any questions, comments, concerns, or requests for reprinting can be submitted to bookendreviews@gmail.com for review.
All rights reserved. All written work on this page is the sole copyright of the author, username Dani, and may not be reprinted or used in any manner whatsoever without written permission from the author. I certify that all work written here is original unless otherwise cited (such as in reference lists, etc.), and is my own. Any questions, comments, concerns, or requests for reprinting can be submitted to bookendreviews@gmail.com for review.
Wow, thіѕ post is nice, my younger sister is analyzing such things,
ReplyDeleteso I am going to lett know her.
Here is mmy Һomepage firma budowlana koszalin
Yay, I'm glad you liked it! Thanks for sharing and spreading the word! :D
DeleteThanks for supplying beautiful studying stuff. Really helpful.
ReplyDeleteYou're quite welcome! So glad I could help! =)
Delete